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・ Narayan Patil
・ Narayan Pawar
・ Narayan Peth, Pune
・ Narayan Pokharel
・ Narayan Prakash Saud
・ Narayan Prasad Adhikari
・ Narayan Pura
・ Narayan Rane
・ Narayan Rane ministry
・ Narayan Rao
・ Narayan Rao Pawar
・ Narayan Sadashiv Hosmane
・ Narayan Sai
・ Narayan Sane
・ Narayan Sanyal
Narayan Sarovar
・ Narayan Sarovar Sanctuary
・ Narayan Seva Sansthan
・ Narayan Sharma Paudel
・ Narayan Shrestha
・ Narayan Shridhar Bendre
・ Narayan Singh Amlabe
・ Narayan Singh Bhati
・ Narayan Singh Burdak
・ Narayan Singh Kesari
・ Narayan Singh Manaklao
・ Narayan Singh Pun
・ Narayan Sitaram Phadke
・ Narayan Tilakchand Kuche
・ Narayan Wagle


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Narayan Sarovar : ウィキペディア英語版
Narayan Sarovar

Narayan Sarovar or Narayansar is a village and place of pilgrimage for Hindus on the Kori Creek. It is located in Lakhpat taluka of Kutch district, Gujarat, India. The ancient Koteshwar temple lies only 4 km away.
==Temples==
The temples, the chief buildings in the place, are surrounded by a fortified wall, outside of which cluster the villagers' houses. It was formerly connected with the mainland by a yellow stone causeway, about 3000 feet long and fifteen wide, built in 1863 by a Bhatia of Bombay, named Gokaldas Liladhar Padsha, at a cost of about £2500 {1,00,000 Kutch koris). Now the new causeway is built.

It was in very ancient times famous for its great lake. This, agreeing with the account of the lake found by Alexander, and perhaps lasting till the change of the course of the Indus river (about 1000), was in part renewed by the earthquake of 1819. Beside the lake, there was, from early times, a temple of Adinarayan in the village. For long under priests of the Kanphata sect, the temple was, about 1550 (Samvat 1607), wrested from them by a Sanyasi or Atit named Narangar from Junagadh. Narangar made long and broad embankments about the pool, an oblong sheet of water, 1056 feet by 990, divided by perforated stone walls into a number of bathing places, and furnished on all sides except the east with flights of stone steps, and surrounded by rest-houses.〔
There are seven stone temples in a paved courtyard of 164 feet by 62. The temples are approached from the lake by flights of stone steps and surrounded by a strong wall. Vagheli Mahakunvar; the wife of Rao Deshalji I, Rao of Cutch State; displeased with the priests of Dwarka, after taking counsel with her Brahmans, determined to raise Narayansar to be a place of rival sanctity.〔〔〔〔
Accordingly, in 1734, she first built the temples of Lakshminarayan and Trikamray in the same style as the Dwarka temples, assigning them the revenues of certain villages and the proceeds of certain taxes, and then those of Adinarayan, Govardhannath, Dwarkanath, and Lakshmiji.〔
The temple of Trikamray, in style and shape resembling that at Koteshwar, 72 feet long 68 broad and 61 high, stands on a 5 feet 9 inches high platform, and has three side porches with a large one in the centre, all capped with domes resting on twelve feet high pillars. The central porch is 21 feet square, and each of the side porches 9 feet 9 inches. The 1819 earthquake threw down the central dome, but it has since been rebuilt. The space between the central dome and the shrine is paved with white and black marble. In the east screen wall of the shrine is a marble plate with an inscription. The doors are plated with silver. In the shrine, on a silver throne, stands a black marble image of Trikamray. Under the idol throne is a black marble figure of Vishnu's eagle, Garuda, with clasped hands kneeling on one leg. Over the image of Trikamray are forty gold and silver parasols, the offerings of devotees.〔
The other five temples built by Vagheli Mahakunvar form, along with the more lately built temple of Kalyanray, a row of six domes supported by fourteen pillars, and forty-eight pilasters, with carving on the bases, shafts, and capitals. The brackets are scrolled volutes and the side pillars of one dome serve to support the lintel of the next, and the corresponding pillars of the next act similarly for the third dome. The temples at the two ends have screen walls under their domes with doors, but the rest have a common verandah with entrances in the fronts the space on the two sides of each entrance being closed with a screen of wooden lattice. Each of the temples has an inscription. Lakshmiji's temple is without any special feature. Dwarkanath's or Ranchhodji's temple has a small shrine opposite to it with a large image of Garuda, holding a weapon whose point impales a cobra. The third shrine, to Govardhannath, is simple. The fourth, to Adinarayan, has a black stone pavement in the gallery. Opposite it is a small lately built shrine of Gopalji. The last, to Lakshminarayan, has silver-plated doors and an idol throne and canopy of silver. In a line with these five temples is the temple of Kalyanray built in 1828 (Samvat 1885) by Rao Deshalji II. The stone and wood frames of the entrance are richly carved , and the doors are plated with silver in which flowers, fruit, leaves, and creepers are carved with much skill. The canopy of the god stands on a pedestal, and is supported on four silver pillars with fine spiral flutes and richly carved friezes, bases, and shafts. The statue is of polished black marble.〔〔Shree Kutch Gurjar Kshatriya Samaj : A brief History & Glory of our fore-fathers : Page :27 by Raja Pawan Jethwa. (2007) Calcutta.〕
Besides these built temples, the soft sandstone near the fort has at various times been hollowed into shrines and caves. They are known as the Ramgupha, Lakshmangupha, and Sheshgupha caves. From the brittleness of the rock they are of no great size.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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